Photographer’s Eye: Pro Tips to Improve Your Photography

Raul Roa Image 1

Photographer’s Eye: Pro Tips to Improve Your Photography

Wednesday, April 19, 2017
12:15pm to 1:00pm
Central Library, Meeting Room A

Reservations not required, but early arrival is recommended to guarantee a seat which is first come, first serve. Doors open approximately 15 minutes before the start of the program.

Raul Roa, a veteran photographer will discuss photojournalism techniques to improve your photography and what’s in your photo toolbox for today’s social media. He will speak about using not only conventional digital cameras and lenses but also using iPhone and GoPro cameras in the course of working as a photojournalist and the techniques used to improve your overall photography skills.

Raul Roa has worked as a photojournalist for 23 years in Southern California and is Presently a staff photographer at the Los Angeles Times Community News covering Burbank, Glendale and La Cañada Flintridge. He is also an avid bird photographer and astrophotographer.

Sponsored by Photo Friends. Presented by the Los Angeles Public Library Photo Collection.

Image: ©Raul Roa 2017

Law Enforcement, Public Safety, and Modernist Style — A View of Parker Center

Designed by architect Welton Becket, the Police Administration Building served as police headquarters for the Los Angeles Police Department from 1954 until 2009. Groundbreaking for the downtown facility began in 1952, with construction finishing in 1955. When Police Chief William Parker died in 1966 (after 15 years in office), the building was renamed Parker Center in his honor.

The facility was designed in the Modernist fashion which encouraged the union of indoor and outdoor space and elements. As time passed and the police force grew and technology changed, the building needed retrofitting and updating, all of which proved to be more expensive than building a new facility. Construction for new LAPD headquarters (located at the corner of Main and First Streets) began in 2007 and finished in 2009.

Despite having a shiny new police headquarters, many people still think of Parker Center when the subject of LAPD headquarters comes up. Besides serving the citizens of L.A. for 55 years, Parker Center is known by people the world over due to being showcased in films, television shows, video games, music videos, novels, and true crime stories. Like many in L.A., Parker Center was in the biz.

In 2015, the Cultural Heritage Commission recommended that Parker Center be made a protected city landmark. While the city reviewed that nomination, a city councilman put forth a motion to demolish the building. Alas, this motion passed without any fierce opposition and the building is set to be razed. (Note: The date for the demolition of Parker Center was postponed due to a clerical error.)

The photo collection of the Los Angeles Public Library has many images showing the interior, exterior, and outer grounds of Parker Center, giving viewers a glimpse of its style and showing major events and everyday workings of this slice of L.A. history.

Here is the plaza at Parker Center as seen from the parking lot. Note the clean lines and modern glass windows which earned the structure the nickname “the Glass House”. 

landscaping at parker center

Heritage Documentation Programs Collection, Historic American Landscapes
Survey Collection, photographed by Brian Grogan in 2005.

A panoramic view shows Parker Center (to the right) with City Hall in the background (tall white building to the left).

los angeles city hall and parker center

Security Pacific National Bank Collection (photographer and date unknown).

A view of the landscaping near the parking area shows well-manicured hedges with plants in planters surrounding the main lawn.

landscaping of parker center

Heritage Documentation Programs Collection, Historic American Landscapes
Survey Collection, photographed by Brian Grogan in 2005.

Parker Center serves as the backdrop for the art installation titled “Eye of the Storm” while looking quite artistic itself with palm tree shadows accenting the structure.

eye of the storm art installation

Heritage Documentation Programs Collection, Historic American Landscapes
Survey Collection, photographed by Brian Grogan in 2005.

A gun is laid out for photographing and then tested by a lab technician for the L.A.P.D. Scientific Investigations Unit at Parker Center.

;a[d scientific investigations unit

Ralph Morris Collection, photographed by Ralph Morris (date unknown).

A policeman speaks into a radio at Parker Center, providing information for officers in patrol cars.

police radio dispatcher at parker center

Security Pacific National Bank Collection (photographer and date unknown).

A worker stands inside a safe at Parker Center.

parker center

Security Pacific National Bank Collection, photographed by
Jack B. Kemmerer (date unknown).

A mosaic depicting landmarks of Los Angeles graces the lobby of Parker Center.

parker center mosaic

Ralph Morris Collection, photographed by Ralph Morris in 1955.

A bank of telephones is ready for use by the public and reporters at Parker Center.

parker center

Security Pacific National Bank Collection, photographed by
Jack B. Kemmerer in 1955. 

The Hillside Strangler Task Force had a room of its own at Parker Center where investigators could review photos and discuss leads and evidence.

hillside strangler task force

Herald-Examiner Collection, photographed by Michael Haering on January 15, 1978.

William H. Parker was Chief of Police for the Los Angeles Police Department from 1950 until his death in 1966. Here is seen at his desk in Parker Center.

police chief william parker

Security Pacific National Bank Collection, photographed by
Jack B. Kemmerer (date unknown).

Parker Center saw its share of protests and public outrage. In this photo, Vietnam War protestors marching through downtown file past Parker Center.

vietnam war protests in los angeles

Herald-Examiner Collection, photograph taken July 9, 1967 (photographer unknown).

A group of people gathers outside Parker Center to protest the use of the chokehold by police officers.

protest against lapd using chokeholds

Herald-Examiner Collection, photographed by Rob Brown on April 28, 1982.

Here we see demonstrators kneeling in protest against the police action of rounding up and detaining day laborers.

protestors at parker center

Herald-Examiner Collection, photographed by Michael Haering on February 20, 1989.

In this photo, we see protestors angry about the outcome of the Rodney King trial.

rodney king riots

Gary Leonard Collection, photographed by Gary Leonard on April 29, 1992. 

A studio prop police car is parked in front of Parker Center, making the building ready for its close-up.

Valley Times Collection, photographed on December 7, 1963 (photographer unknown).

Death at Midnight: The St. Francis Dam Disaster

11:58 p.m., March 12, 1928 –– Residents in the settlements of the San Francisquito Valley, some 45 miles north of Los Angeles, were shaken awake. The cause was not an earthquake, but the epic fail of the massive, newly-constructed dam looming over the valley.

When the St. Francis dam gave way, it went quickly and catastrophically. Dozens were killed in the first five minutes, inundated by a wall of water 140 feet high. As 12 billion gallons of water thundered out of the valley and on to the ocean near Oxnard, the torrent swept at least 400, and perhaps as many as 600, persons to their deaths. Following the disaster bodies were found everywhere from right up at the dam site (one) to the border of Mexico. A hundred or more of the missing were never found.

In addition to the human toll, the floodwaters devastated the towns of Castaic Junction, Piru, Fillmore, Santa Paula, and Saticoy in the Santa Clara Valley. Roads, bridges, and power lines were wiped out. Livestock died in the fields.

Eighty-nine years later it is worth recalling the devastation caused by miscalculating the power of water. Photos from the Los Angeles Public Library collections show the dramatic aftermath of the worst man-made disaster in California’s history.

The St. Francis Dam was built to store water from the Owens Valley Aqueduct System.  Security Pacific National Bank Collection, Image #00009818

The state-of-the-art St. Francis Dam had been open two years and its reservoir had filled to capacity for the first time when tragedy struck. In the photo above, the reservoir lake is still several feet below the lip of the dam.

 

Shiny generators at Power Plant #2 in the vicinity of the St. Francis Dam stand ready to turn water into electric power. Ironically, the power plant was destroyed by the very waters it sought to harness. Unlike the dam, the plant was quickly rebuilt. Security Pacific National Bank Collection, Image #00009831, 1928. 

This photo, taken shortly before the collapse, shows the stair-step design on the face of the dam. Some “seeps” of water were considered to be no big deal. Security Pacific National Bank Collection, Image #00009832.

 

Eerie Monuments

Security Pacific National Bank Collection, Image #00009834 . Photo Credit, “Underwood & Underwood.”

The only major chunk of dam to remain standing following the break was dubbed “the Tombstone” by a reporter. The accidental landmark and surrounding ruins became a mecca for tourists shortly after the cataclysm. After the death from falling of one such thrill seeker, the Tombstone and other monoliths were dynamited.

 

Close inspection of this photograph reveals several people on the stair steps of the Tombstone. Security Pacific National Bank Collection, Image #00009821.

 

Security Pacific National Bank Collection, Image #00075797.

 

Enormous chunks of the dam were found thousands of feet downstream, turning the valley floor into a bizarre sculpture garden. A gentleman standing in front of this “concrete iceberg” provides scale. Security Pacific National Bank, Image # 00075796.

The Frightful Flood

The horror of the catastrophe cannot be understated. Communities around the country awoke to the shocking news:

County Farm Advisor H. A. Weinland left Tuesday for the southern part of the state upon receiving the sad news that his brother, William Weinland, and the latter’s wife and ten-year-old son had been swept to death in the frightful flood through San Francisquito canyon Monday night, caused by the breaking of St. Francis dam. Weinland received a telegram from his father, Rev. William H. Weinland of Banning, telling of the death of his relatives. Weinland’s body has been found but those of his wife and son are yet lost somewhere in the depth of silt which the rushing waters from the huge reservoir above the dam left behind. The Sonoma County man’s brother was employed at one of the power stations near the dam and lived in a cottage in the valley directly below the reservoir. It is believed the flood caught the little family as they slept like it did scores of other unfortunate families. (Healdsburg Tribune, March 15, 1928)

A few fortunate souls survived the onslaught. The Associated Press paraphrased the words of an 80-year rancher plucked from the raging waters by one of his sons:

“When the water hit it, the house crumpled as though it were built of cards. I could not see a thing in the darkness and found myself clinging to what turned out to be a part of the roof of our home. Down, down with the current we went. I held on desperately. I kept saying to myself every second was my last. Then … somebody grabbed my arm in the darkness. ‘Is it you, dad?'” (Seattle Daily Times, March 13, 1928)

The report goes on to inform readers that the man’s other two sons lay in a temporary morgue nearby.

 

The clean up begins. Security Pacific National Bank Collection, Image #00017361, dated March 16, four days after the disaster. Photo credit “Underwood & Underwood.”

 

People survey the devastation along the Santa Clara River, the path the dam waters took to the sea. A railroad bridge lies in ruins. Security Pacific National Bank Collection #00070192, 1928. 

 

Schist happens

 

William Mulholland (1855-1935) in an undated photo. Security Pacific National Bank Collection, Image #00043872.

The man behind the dam: William Mulholland  was Chief Engineer of the Los Angeles Bureau of Water Works and Supply (now the Department of Water and Power). His towering reputation earned in the “water wars” of Southern California was largely wiped out, along with his career, after the St. Francis Dam disaster. Mulholland had personally inspected the dam only 12 hours before the disaster at the urging of the dam’s caretaker, and had pronounced it sound.

Any number of inquiries have attempted to find the cause of the disaster. While Mulholland initially clung to the theory of an earthquake, this was ruled out early on. Most experts point to geologic factors, especially the unstable hillsides that abutted the dam made up of landslide-prone schist (a type of metamorphic rock that splits easily) on one side and softened conglomerate (a type of gravel-like sedimentary rock) on the other. In short, the  rock at the dam site was bad rock for a massive construction project.  There were also errors in design. Mulholland had twice raised the height of the dam during construction without allowing for the increased water pressure that would result. 

 

This photo from the Los Angeles Evening Herald is dated March 28, 1928, two weeks after the dam collapse; the caption reads “From districts swept by the St. Francis dam flood came more stories of heroic phone operators who stuck to their posts and saved scores of lives at risk of their own. Louise Gipe received and spread the first alarm at Santa Paula.” Image Herald Examiner Collection #00095916, Photo credit “Moss Photo.”

Even more than with the Long Beach Earthquake five years later, the St. Francis Dam disaster played havoc with communication. The disaster unfolded in the dark of night, taking power lines with it. The wave of water took five and a half hours to reach the sea, arriving just before dawn near Oxnard. For those in San Francisquito Canyon there was no early warning and no escape from the tsunami of water. Farther along the waters’ path, as the height of the wave lessened, some folks were able to escape to higher ground thanks to intrepid individuals such as telephone operator Louise Gipe who stood by her post and relayed a warning to residents of Santa Paula. Alerted by Gipe, California Highway Patrol officers went house to house to wake residents. At a work camp in the path of the deluge, the night watchman raised the alarm upon seeing the approaching wave. He is credited with saving half the sleeping workforce, at the cost of his own life.

The St. Francis Dam was never rebuilt. Lessons learned from the disaster informed the design, construction, and inspection protocols of dams throughout the country.

The Personal Side of History – Shades of L.A.: African American Community

Over 25 years ago, while organizing the photo collection of the Los Angeles Public Library, librarian Carolyn Kozo Cole found many photos that documented the city’s political and professional history – political rallies, building construction, front page stories – but few images showing the personal side of its history – church picnics, school fairs, family photos. Moreover, there was little (if any) photographic evidence of the rich ethnic diversity in greater Los Angeles.

When a patron came to the library in 1991 and asked for historic photos of the Watts neighborhood, the only photo in the folder marked “Watts” was of a railway station. For Cole, this was a watershed moment. Garnering assistance from librarian Kathy Kobayashi, project coordinator Amy Kitchener, and a team of volunteers (plus financial support from Security Pacific National Bank, Sunlaw Cogeneration Partners, California Council for the Humanities, the Ralph M. Parsons Foundation, the John Randolph Haynes and Dora Haynes Foundation, and the non-profit organization Photo Friends), the Shades of L.A. project was launched to broaden the Library’s photo collection and showcase the City’s multicultural makeup.

The first year of the project (1991) focused on the city’s African American communities, with the first “Photo Day” occurring at the Vernon Branch on South Central Avenue. Local residents showed up bringing family portraits and personal snapshots. A large part of L.A.’s personal history – previously tucked away in shoeboxes, scrapbooks, desk drawers, and family bibles – was now to become part of the photo collection of the Los Angeles Public Library.

In honor of Black History month, here are photos that capture African American life in Los Angeles, from home life to high life.

NOTE: All photos in this blog post are from the Shades of L.A.: African American Community collection. Whenever possible, dates and photographers have been noted.

Emma Millhouse and friend at work

Emma Millhouse (right) poses with her friend at their after-school job in a record store. Millhouse had also worked at the National Youth Administration office in Los Angeles, a New Deal agency formed to assist young people between 16 and 25 years of age in finding jobs. This photo was taken in 1941.

Student with trophy

A student poses with the trophy he won in an architectural contest between students at Polytechnic High School and Manual Arts High School in Los Angeles. This photo was taken in 1917.

Sharp shooter Dr. Eugene and trophy

Dr. Eugene, the winner of a sharpshooting competition, poses with his trophy and his weapon in 1935.

Boy Scout and badges

Boy Scout William Legget poses with his merit badges in 1936.

Joe Louis and Gordon Sheppard in Shepp's Playhouse

Boxer Joe Louis (center) poses with a woman and Gordon Sheppard in Shepps’ Playhouse, a breakfast club (open all night until breakfast) in downtown Los Angeles that boasted the likes of Coleman Hawkins, T-Bone Walker, and members of the Duke Ellington band. Sheppard, a former Hollywood cameraman, opened the club in Bronzeville, a neighborhood that sprang up in Little Tokyo during WWII.
Rozier Family Store

Liney, a  store clerk, stands behind the counter at the Rozier Family Store, a family-owned grocery market in Los Angeles. This photo was taken in 1906.

Amanda, Joseph, and children

Amanda and Joseph pose with their children Grace, Raymond, Mildred, and Alphonso for a formal family portrait taken in 1907.

A girl enjoys Val Verde Park, also known as The Black Palm Springs. (Many African Americans frequented this area when they were barred from visiting public beaches and swimming pools.) This photo was taken in 1954.

Dr. Maye Jones poses in cap and gown at her graduation in 1957.

A woman attends the 42nd Annual Congress of the International New Thought Alliance. This photo was taken between July 21 and July 26 in 1957.

This photo shows the Farmers and Merchants Bank of Watts being picketed in 1948 for not hiring African American or Mexican American tellers.

 

Raymond Austin in front of home

Raymond J. Austin poses in front of his home in Pomona, California, in 1945.

A young soldier poses in front of a fireplace. This photo was taken in 1943.

 

Crowds gather outside RKO Hillstreet Theatre (located at 8th and Hill Streets in downtown Los Angeles) to see a 1945 appearance by Josephine Baker, the African-American chanteuse who mesmerized France and openly discouraged segregated audiences.

L'Tanya Griffin

Fashion designer L’Tanya Griffin, who once designed gowns for Ida Lupino and ran her own dress shop in Hollywood, strikes a pose in this publicity photo. Photographed by John E. Reed in 1945.

Sebastian's Cotton Club

Sebastian’s Cotton Club (originally named the Green Mill) was owned by Frank Sebastian and located in Culver City. It boasted three dance floors and full orchestras, including an orchestra featuring “the world’s greatest trumpet player, Louis Armstrong, with the world’s fastest drummer, Lionel Hampton.” In this 1931 photo, you see an orchestra with Lionel Hampton, the drummer, at the top.

Zenda Ballroom

A trio gather at the Zenda Ballroom, a huge nightclub at 936 West 7th Street in downtown Los Angeles. This photo was taken in 1939.

Tola Harris at Wedding

Tola Harris attends a wedding reception. The photo is dated November 9, 1996.

NAACP awards

Five women pose in front of the Los Angeles County Museum of Art for the NAACP Awards. Photographed by Robert Douglas in 1968.

children of rodger young village

The Small Town in a Big City – Life at Rodger Young Village

During WWII, thousands of men and women left Southern California to serve their country wherever they were needed. Thousands more men and women came to Southern California to work in factories supporting the war effort. As raw materials were needed for weapons, aircraft, and other related goods, construction of new housing ceased during the war. This created a housing shortage for veterans returning to the area after the end of WWII. This housing shortage spurred a housing boom, but veterans needed housing immediately. The Los Angeles City Housing Authority responded by building housing projects that offered affordable yet temporary housing for veterans and their families.

Rodger Young Village (also referred to as “RYV”) was one such public housing project. Built in Griffith Park and dedicated on April 27, 1946, RYV was named for Rodger Wilton Young, an infantryman in the U.S. Army killed during World War II. Rodger Young Village consisted of 750 Quonset huts, with most residents being young couples with children. RYV boasted a market, drug store, and theater plus delivery service for milk, diapers, and baked goods. Telephones were located outside throughout the village; a ringing phone would be answered by the nearest bystander who would then fetch (or get a kid to fetch) the intended recipient of the call. Churches came to conduct services in the theater (with the Catholics bringing their own kneelers), the Fuller Brush man made rounds throughout the compound, RYV had its own firefighters. Perched inside a park, it offered children plenty of space to play and explore.

Open to veterans of all races and branches of the military, Rodger Young Village was one of the most diverse communities in Southern California at the time. Adults and children befriended their neighbors with little regard to their ethnic background, educational levels, or personal beliefs. (One exception was the couple of Sidney and Libby Burke. There were evicted as it was determined that Sidney did not hold the proper veteran status but also because Libby had distributed supposedly communist literature.) Such acceptance of diversity helped end the practice of racial segregation in many local restaurants. (RYV residents often went to nearby eateries to dine with their neighbors. If a restaurant refused to serve someone in their party, the entire group would leave and often never return. Restaurants, faced with losing business, dropped discriminatory policies.)

As veterans bought homes or found housing elsewhere, the Rodger Young Village began to lose residents. RYV was demolished in the early 1950s. The parking lot for the Los Angeles Zoo and part of the Autry Museum now occupy the site where returning WWII vets and their families lived while waiting to move into their dream home. No physical trace of this housing project exists on the grounds today, but the photo archives of the Los Angeles Public Library can help you see how life was in this small town inside a big city.

With housing scarce and veterans returning en masse to the Los Angeles area, construction (conducted by William Radkovich Company and Zoss Construction Company) of Rodger Young Village was made a top priority by the Housing Authority.

The building of a Quonset hut is seen here.

building of quonset hut

Housing Authority Collection, photographed by Edwin Eichelberger on April 22, 1946.

While no huts had individual telephone service, all homes in Rodger Young Village had electricity. Here we see an electrician connecting wires to the Quonset hut homes.

construction of rodger young village

Housing Authority Collection, photographed by Louis Clyde Stoumen (no date given).

The main entrance for Rodger Young Village was on Riverside Drive, with the Santa Monica Mountains providing a dramatic backdrop for the housing project.

rodger young village in griffith park

Housing Authority Collection, photographed by Edwin Eichelberger on April 22, 1946.

An aerial view of Rodger Young Village shows its size and layout.

Shades of L.A.: Mexican American Community, photo taken by
White’s Studio circa 1940.

The dedication ceremonies for Rodger Young Village were held on April 27, 1946. Here we see a map showing how to get to the festivities.

Security Pacific National Bank Collection (photographer and
date of photograph unknown).

Many new and prospective residents attended the dedication festivities.

post-war veteran housing

Housing Authority Collection, photographed by Louis Clyde Stoumen
on April 26, 1946.

Mrs. Nicholas Young, the mother of Rodger Young (the war hero for whom the housing project was named) attended the Village’s dedication ceremony as well as then-Mayor Fletcher Bowron.

mrs. nicholas young

Herald-Examiner Collection, photographed on April 26, 1946.

Each family would occupy one-half (front or back) of a Quonset hut, with two bedrooms, a bathroom, and a kitchen in their living space. Single veterans or childless couples would share a Quonset hut with each having their own bedroom but sharing the rest of the hut.

A family lounges in a model unit of the newly-built Quonset huts to see if it meets their needs.

post-wwii los angeles

Herald-Examiner Collection, photographed by Howard Ballew on April 26, 1946.

A model unit also showcases a child’s bedroom in a housing unit in Rodger Young Village.

Housing Authority Collection, photographed by Otto Rothschild on February 21, 1950.

While RYV was designed as temporary housing, residents took pride in their surroundings, planting gardens to add a homey touch.

Housing Authority Collection, photographed by Leonard Nadel on July 19, 1950.

John Barnes and his family pose outside their home (Unit 606) in Rodger Young Village.

Housing Authority Collection, photographed by Leonard Nadel on February 4, 1952.

Mrs. Lourdes Benigno and her children gather by the garden at their home (Unit 1147) in Rodger Young Village.

Housing Authority Collection, photographed by Leonard Nadel on February 4, 1952.

Mrs. John Breslin, a German war bride, helps her children dress for the day in their home at Unit 1279.

life in Rodger Young Village

Housing Authority Collection, photographed by Leonard Nadel in 1952.

As most residents of Rodger Young Village were young families, children were everywhere – playing by their homes, in the park, at the zoo, and at events organized for them. Here we see kids playing outside their homes, having fun and making friends in their temporary neighborhood.

children of rodger young village

Housing Authority Collection, photographed by Leonard Nadel on November 16, 1951.

Children always enjoy dressing up for Halloween, and the kids at Rodger Young Village were no different.

Housing Authority Collection, photographed in October of 1947
(photographer unknown).

Santa Claus knew there were plenty of children in RYV, so he flew (via helicopter!) to visit them and their parents.

Housing Authority Collection, photographed by Louis Clyde Stoumen
on December 21, 1948.

Adults also had plenty of activities to attend at Rodger Young Village. Here, Bette Davis confers with Rodger Young’s mother during a luncheon at RYV.

Bette Davis at Rodger Young Village

Security Pacific National Bank Collection, photographed by
Floyd McCarty (date unknown).

People mingle and look at exhibits during a Negro Week program held in RYV.

negro week

Housing Authority Collection, photographed by Louis Clyde Stoumen (date unknown).

Negro Week (also referred to as Negro History Week) at Rodger Young Village also included a firefighters’ parade that featured a marching band.

Housing Authority Collection, photographed by Louis Clyde Stoumen (date unknown).

The arrow in this photo points to Rodger Wilton Young, the war hero for whom Rodger Young Village was named. This is the last photo taken of him before he died on July 31, 1943, in the Solomon Islands. He was awarded the Medal of Honor posthumously.

Herald-Examiner Collection, photograph dated 1946 but
taken in 1943 or earlier (photographer unknown).

Give the Gift of Los Angeles

Looking for the perfect gift for the Los Angeles history fan in your life? Photo Friends has you covered!

Here’s a snapshot of the eight books we’ve published, all highlighting images from the Los Angeles Public Library Photo Collection! All are available for purchase on Amazon or at the Library Store and proceeds benefit Photo Friends and the Photo Collection.

Service Society and Social Change, by Christine Adolph

The post-War San Fernando Valley was the quintessential American suburb. With the availability of affordable housing and jobs from the thriving aerospace, aircraft, and manufacturing industries, the Valley’s population boomed. The promise of prosperity inspired new opportunities for leisure time, family life and civic engagement. Membership in social and service clubs soared. Whether people united through shared identities or shared interests in hobbies, civics or philanthropy, the prevalence of club life defined the Valley’s growing community. The Valley Times newspaper, published from 1946 to 1970, documented the changes to the Valley’s physical landscape through suburban development, but also revealed how social networks impacted society. This latest entry from Photo Friends Publications accompanies the exhibit “Service, Society and Social Change: Post- War Clubs from the Valley Times Newspaper” (July 7, 2016 – January 15, 2017) and presents a sampling of images from the Valley Times photo archive, now held at the Los Angeles Public Library. Through the lens of the Valley Times photographers, we are presented with a unique visual history of the ways people connect to build a community.

One Golden Moment: The 1984 Olympics Through the Photographic Lens of the Los Angeles Herald Examiner – by David Davis 

In the late 1970s, the Olympic Movement was in deep trouble. When the International Olympic Committee called for candidates to host the 1984 Summer Olympics, only two cities expressed interest: Tehran and Los Angeles. And, after Tehran dropped out of the bidding process, L.A. was left to carry the flickering Olympic torch. Naysayers predicted disaster: the traffic would be snarled and the smog suffocating; the Games would bankrupt the city of L.A. and terrorists would harm innocent people. But L.A. proved everyone wrong. The weather cooperated, and the traffic was smooth sailing. An ambitious Arts Festival drew appreciative crowds, and pin trading became an unofficial Olympic event. And, who could not be thrilled by the record-setting performances of Carl Lewis, Evelyn Ashford, Edwin Moses, Joan Benoit, Daley Thompson, Mary Lou Retton, Greg Louganis, and Cheryl Miller? This book chronicles the 1984 Los Angeles Olympics through the extraordinary photographs taken by the staff at the Herald Examiner newspaper, a collection now held at the Los Angeles Central Library: from the preparations before the Games to the Opening Ceremony to the wondrous athletic performances to the Closing Ceremony. The 1984 Olympics were a golden moment in these photographers’ careers as well as for the city of Los Angeles.

First Seconds and Thirds

Firsts, Seconds and Thirds: African American Leaders in Los Angeles from the 1960s and ’70s from the Rolland J. Curtis Collection – by Kristine Protacio

Civil Rights took shape in 1960s Los Angeles as African Americans broke color barriers and began to occupy positions in government. Progress during this time extended past politics, to the realm of entertainment, commerce, public service and activism. It is in the midst of this exciting time that Rolland J. Curtis (right) took thousands of photographs while serving as a Field Deputy for Council Members Billy Mills and Tom Bradley. Curtis’ images provide a unique view of the African American experience in South Los Angeles during this time. This book presents a sampling of Curtis’ photographic archive, now housed at the Los Angeles Public Library, as well as a glimpse at some of the city’s black leaders of the period. Some famous, some forgotten, these individuals were true trailblazers: the first, second, or third African Americans in the history of Los Angeles to accomplish their feats.

From Pop to the Pit: LAPL Photo Collection Celebrates the Los Angeles Music Scene, 1978-1989 – by Wendy Horowitz

Los Angeles has always enjoyed a tremendous amount of diversity, both culturally and geographically. In the 1980s, these varied ethnic and socio-economic backgrounds combined with the environmental influences of the beach, suburbs, or inner-city created an astoundingly unique and memorable period for popular music with L.A. at the epicenter. Culled from the Los Angeles Public Library’s Herald Examiner photo archive and the Gary Leonard Collection, LAPL and Photo Friends present a glimpse into a decade that produced scores of hit singles, showcased strikingly diverse genres and generated tremendous excitement. The exhibit From Pop to the Pit: LAPL Photo Collection Celebrates the Los Angeles Music Scene, 1978-1989 and companion catalog relive an extraordinary time in music history with rarely seen images of the bands that helped define the era.

Bunker Hill in the Rearview Mirror: The Rise, Fall, and Rise Again of an Urban Neighborhood – Edited by Christina Rice 

During its history, the area of Downtown Los Angeles known as Bunker Hill has been viewed in many different ways; inaccessible, upscale, run-down, blighted, erased, renewed. These perceptions over the decades have always been open to interpretation and either agreed with or challenged. An area that has been subject to more change than any other place in the city, it has arguably invoked more passion and reverence than any other Los Angeles neighborhood, while inspiring equal amounts of disdain.

Bunker Hill in the Rear-View Mirror: The Rise, Fall, and Rise Again of an Urban Neighborhood, an exhibit at the Los Angeles Public Library’s Central Library on display from April 2015 – April 2016, uses photographs, news articles, recollections and unique ephemera from LAPL Special Collections to illustrate the complex story of Bunker Hill, from its heyday in the 1880’s to its redevelopment in the 1960’s and 70’s. Curated by librarians Christina Rice, Photo Collection, and Emma Roberts, Art & Music/Rare Books, the exhibit is enhanced by this companion catalog with contributing essays by Adrian Scott Fine, Nathan Marsak, Merry Ovnick, Meredith Drake Reitan, and Donald R. Spivack.

The First with the Latest!: Aggie Underwood, the Los Angeles Herald, and the Sordid Crimes of a City – by Joan Renner 

Agness “Aggie” Underwood never intended to become a reporter—all she really wanted was a pair of silk stockings. When her husband told her they couldn’t afford them, she threatened to get a job and buy them herself. Those silk stockings launched a career that started with Aggie at the switchboard of the Los Angeles Record newspaper in 1926, and ended more than four decades later when she retired as City Editor of the Los Angeles Herald Examiner. As a reporter for the Los Angeles Evening Herald and Express (later, Herald Examiner), Aggie not only reported on crimes throughout the city, but sometimes helped solve them. Using quick wit and intuition, Aggie helped her newspaper live up to its motto “The First with the Latest.” Through the Los Angeles Herald Examiner’s photo archive, now held by the Los Angeles Public Library, the cases Aggie covered are more than just faded headlines, but come to life in light and shadow. This catalog of nearly 100 images, which compliments an exhibit at the Los Angeles Public Library’s Central Library gives a brief overview of Agness Underwood and some of the cases she covered.

Defining Their Identity: The Changing Roles of Women in the Post-War Era as Documented by the Valley Times Newspaper – by Christina Rice

The popular view of women in the years following World War II has come to be of homemakers like television’s Donna Reed and June Cleaver who maintained picture perfect households in suburban settings. In many cases this was indeed the primary role assumed by women of the era, but it wasn’t the only one. Women pursued advanced degrees, became professionals, held office, excelled in sports, fought for equal rights, and became civically involved, and often while running those households. The San Fernando Valley has come to exemplify the post-War suburban growth that took place throughout the country and the Valley Times newspaper was there to document this expansion along with the Valley’s dynamic women in their various roles. Now, the exhibit and companion catalog, Defining Their Identity: The Changing Roles of Women in the Post-War Era, explores the changing roles of women through the lens of the Los Angeles Public Library’s Valley Times’ image archive.

How We Worked, How We Played: Herman Schultheis and Los Angeles in the 1930s – by Christina Rice

Herman Schultheis may have been an engineer by trade, but was a photographer at heart who never seemed to go anywhere without his camera. After relocating to Los Angeles from the East Coast in 1937, Herman and his wife Ethel explored their newly adopted home, far and wide. By the end of the decade, he had snapped well over 5,000 photos. How We Worked, How We Played: Herman Schultheis and Los Angeles in the 1930s, presents a small sampling of this amazing collection which was donated to the Los Angeles Public Library following Ethel’s death in the early 1990s. The images present an overview of a rapidly expanding city in the midst of the Great Depression and on the verge of World War II, along with the simple story of two people in love with each other–and Los Angeles.

Spend this Saturday with Photo Friends and the LAPL Photo Collection!

This Saturday (December 10th) is all about the LAPL Photo Collection and Photo Friends.

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At 2pm the Photo Collection is teaming up with the UCLA Film & Television Archive for a special presentation. Before Huell Howser, Jack Linkletter sought out the human interest side of Los Angeles through his short-lived television program On the Go.  Join us as Dan Einstein and Mark Quigley of UCLA Film & Television Archive will present an overview of the Archive as a research resource as well as screen clips from recently preserved episodes of the locally-produced, On The Go (KNXT, 1959–60), featuring Vincent Price with William Castle, Hollywood Studio Club and Marineland. Footage courtesy of City of Los Angeles Department of Recreation and Parks.

Full details are available on the LAPL website.

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In the evening, have fun while knocking out some holiday shopping as Photo Friends presents its first ever rummage sale! We’ll have lots of old exhibit prints available at dirt cheap prices. Perfect for the Los Angeles history buff in your life.

FUTURE STUDIO GALLERY
5558 N. Figueroa St., Los Angeles 90042
Sat. Dec. 10, 2016 (7-10pm)
Also open Sun. Dec. 11 (2-5pm)
Sat. Dec. 17 (2-6pm)
Sun. Dec. 18 (2-5pm)
and by appointment 323-254-4565
futurestudio@sbcglobal.net

An End to the Dry Spell

In 1919, the Eighteenth Amendment to the United States Constitution was ratified. One year later, prohibition began. The production, importation, and transportation of alcoholic beverages was now illegal. America went dry – or so it was thought.

Supporters of prohibition believed that getting rid of booze would get rid of America’s social ills – alcoholism, public intoxication, petty crime, poverty, mental illness, venereal disease. Prohibition would also reduce taxes as there would be less need for courts, jails, hospitals, asylums, and other institutions supported by tax dollars. The country would be richer and safer if it were sober.

Unfortunately, as journalist H. L. Mencken noted in 1925:

“Five years of Prohibition have had, at least, this one benign effect: they have completely disposed of all the favorite arguments of the Prohibitionists. … Not only are crime, poverty and disease undiminished, but drunkenness itself, if the police statistics are to be believed, has greatly increased. The land rocks with the scandal. Prohibition has made the use of alcohol devilish and even fashionable, and so vastly augmented the number of users.”

On December 5, 1933, prohibition was repealed, with President Franklin D. Roosevelt declaring, “What America needs now is a drink!” People across the U.S. celebrated and Los Angeles, never a city to miss a party, joined in. The online photo archives of the Los Angeles Public Library show that while certain public officials in L.A. took prohibition very seriously, most of the public took its repeal even more seriously.

Members of the Coast Guard unload 1,200 cases of illegal whiskey found on a fishing boat in San Pedro.

Coast Guard unloading contraband liquor

Herald-Examiner Collection, photo dated March 25, 1932.

An officer takes inventory of liquor that was seized in a raid on a warehouse in Long Beach, California. Police believed the warehouse was being used as a distribution center by bootlegger Tony Carnero (a/k/a The Admiral and Tony the Hat). The liquor was valued at $62,000 — $910,781 in today’s currency.

bootlet liquor distribution by Anthony Carnero

Herald-Examiner Collection, photo taken in 1931.

John L. McDonnell of the District Attorney’s enforcement squad and Pearl Stephenson, secretary to Chief Investigator Lucien Wheeler, dump $45,000 worth of bootleg liquor used as evidence in liquor arrest cases. (Incidentally, that would be the equivalent of $635,000 worth of booze today.)

disposal of liquor during prohibition

Herald-Examiner Collection, photo dated February 16, 1929.

Members of the Sheriff’s office dump wine, whiskey, imported champagne, and various liquors they had confiscated. The alcohol – most of it high-end and meant for Christmas, New Year’s, and other holiday parties – was valued at $150,000 at the time. Today, this contraband booze would be worth roughly $2,004,500.

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Herald-Examiner Collection, photo dated January 17, 1927.

Unable to buy a drink legally, many people resorted to partaking of Jamaica Ginger – also known as Jake – in place of a cocktail. Sold as a medicine, this concoction included an additive that affected the nerve cells that control movement, leading to paralysis for some unlucky imbibers. The Herald-Examiner alerted Southern Californians as to the dangers of drinking Jake.

Jamaica Ginger and the trouble it causes

Herald-Examiner Collection, drawings photographed in 1931.

As grapes were no longer becoming wine (with the exception of a select crop used for sacramental wine), the California Vinyardists’ Association created National Grape Week in an effort to dispose of a bumper crop of grapes during Prohibition.

National Grape Week

Security Pacific National Bank Collection, photo dated September 14, 1928.

In spite of the law, Los Angelenos (like folks everywhere) still liked to discuss business, meet friends, and relax over drinks. This elegant home at 4412 Wilshire Boulevard served as a speakeasy during Prohibition.

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Los Angeles Photographers Collection, Marlene Laskey/Wilshire Boulevard Collection,
photographed by Annie Laskey in 1978.

While the complete repeal of Prohibition occurred on December 5, 1933, the Beer and Wine Revenue Act (commonly referred to as the Beer Bill) was put into effect on April 7, 1933. It gave states the right to sell beer and wine. In this photo, crowds wait to enjoy a beer at the Belmont Grill in downtown Los Angeles.

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Herald-Examiner Collection, photo dated April 7, 1933.

Here is the scene inside the Belmont Grill that same day.

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Herald-Examiner Collection, photo dated April 7, 1933.

When the Beer Bill came into effect, Eastside Brewery in Lincoln Heights wasted no time getting back into business. The first truckload of beer rolled away as movie star Jean Harlow christened it with a bottle of (what else?) beer.

jean harlow christens beer truck

Herald-Examiner Collection, photo dated April 7, 1933.

People couldn’t wait until prohibition was repealed to celebrate its repeal! Here, revelers at Club Airport Gardens celebrate the repeal of prohibition on November 8, 1933, with a skeleton of the 18th amendment.

club airport gardens celebrates repeal of prohibition

Herald-Examiner Collection, photo dated November 8, 1933.

With prohibition repealed, the quaint Malamute Saloon, designed to resemble a cozy log cabin, reopened after 13 years. Los Angeles residents and visitors could imbibe while enjoying a somewhat rustic experiment.

malamute saloon

Security Pacific National Bank Collection, photo dated 1933.

A group of Mexican-Americans celebrates the end of Prohibition and the freedom to enjoy a drink with family and friends.

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Shades of L.A.: Mexican-American Community, photo taken by Harvey
(see lower right corner) in 1934.

Disaster Response: The 1933 Long Beach Earthquake

On Friday, March 10, 1933, in the depth of the Great Depression, the Southland experienced a major earthquake, centered off of Long Beach. While named for that city, the event, and the many aftershocks, affected the entire Los Angeles basin and was felt as far south as Tijuana. Some 120 persons were killed (the exact number is disputed*): about half in Long Beach proper and the rest in communities including Compton, Cerritos, and Huntington Beach. Serious property damage occurred throughout the region, including in Los Angeles City itself.

A young seismologist named Charles F. Richter counted seven aftershocks of “marked intensity.” Richter went on to tell the United Press: “Thereafter a series of continuous quakes began. They were too frequent to be correctly tabulated. I should estimate them at from 100 to 200 up to noon Saturday.” (Quoted in Seattle Times,  “12Towns….”) Two years following the event, Richter developed his famous scale which rated the initial 1933 earthquake at 6.4.

Residents and newspapers photographers documented the devastation and the recovery efforts. In this photo essay, we will focus on immediate aid efforts and the resilience of the citizenry.

 

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Security Pacific National Bank Collection, Image #00058879

The earthquake caused widespread devastation, collapsing many buildings, including 70 schools and public buildings such as the Lynwood Theater. Another 50 schools and many other buildings sustained serious damage. Fortunately, the quake occurred at the dinner hour, after school had recessed for the day. Had it happened earlier, the death toll would have been much higher and much younger!

 

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Herald Examiner Collection, #00047523

Rescuers pause to listen for victims who may be trapped in the wreckage of the Stockwell Building in Compton, March 11, 1933. Compton suffered extensive destruction in its core commercial district.

 

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Security Pacific National Bank Collection, #00058878

Medical personnel, including Catholic sisters and staff from U.S. Navy ships at San Pedro were called in to help with the wounded. With hospitals damaged, the wounded were brought to churches, parking lots, and other locations. Another photo, not shown here, shows covered bodies on mattresses behind Seaside Hospital (Herald-Examiner Collection, Image #00057404).

Many were injured or killed by falling bricks in the streets.

 

Making Shift

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Herald Examiner Collection, Image #00057405

In the days following the quake, and with after-shocks coming thick and fast, most families in the quake zone chose to camp outdoors, either in parks or in their own yards. The Long  Beach area was dotted with small fires such as this one. The caption accompanying this photo in the Herald Examiner read: “Through the night of the March 10 earthquake, thousands of men, women and children sat up beside bonfires in vacant lots and yards as they feared to enter their homes lest there be further temblors.”

 

 

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Security Pacific National Bank Collection, Image #00020435

This family in Compton has set up a makeshift camp stove in their yard. The quake took out electric power and officials shut off gas, likely preventing further disasters.

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Security Pacific National Bank Collection, Image #00020448

There’s a lot going on in this photo, including several makeshift stoves with fuel at the ready. The men in charge may be running a pop-up business, catering to those without means to heat food.

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Herald Examiner Collection, Image #00084131

The Community Pulls Together

It takes a community to recover from a disaster. The Herald-Examiner’s caption for the above photo, dated March 14, 1933, read “All Southern California opened its heart and sent food and medicine to the homeless and injured. Volunteer workers are shown carrying boxes of supplies prepared by sympathetic Angelenos.”

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Photo by “Crory,” Herald Examiner Collection, Image #00057407

Residents line up for food and other assistance at Lincoln Park, close by Long Beach City Hall, March 12, 1933, two days after the quake. The Red Cross and Salvation Army set up first aid tents and feeding stations. Long Beach city officials trucked in fresh water. Some restaurants offered what they had on hand at no charge.

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Herald-Examiner Collection, Image #00047510

Commerce must go on. With most stores and businesses at least temporarily uninhabitable, merchants took to the streets to sell their wares. In Compton they were allowed to set up within an undamaged structure — the Oil Exposition building — where they arranged themselves in the same order as their main street shops.

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Frank Bentley, photographer, Herald Examiner Collection, Image #00057399

With power and telephone poles down throughout the region, communication with the outside world was difficult. Ham radio stations were credited with offering the only reliable communication for the first week following the cataclysm. According to some, the first word of the disaster came from a boy’s ham radio station ten minutes after the initial quake. Here, amateur radio enthusiasts, assisted by the Boy Scouts, offer the services of their short-wave radio station. Survivors were able to send messages to anxious loved ones via wireless technology. Press services also availed themselves of on-the-ground reports transmitted via short-wave. With the region under virtual martial law for a number of days, reporters had a difficult time gaining access to the quake zone.

 

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Herald Examiner Collection, Image #00034804

Military personnel called out to assist with the recovery efforts take advantage of coffee and donuts provided by the Salvation Army in Compton. The soldier at right is reading an “EXTRA” addition of the paper with the headline “120 Killed in Quake.” Curiously, the number is fairly accurate.

If not for the newspaper, one might be led to believe this was a photo from World War I. The sailors, referred to in the press as “bluejackets,” carried bayonets while patrolling disaster-stricken streets.

Some of the men pictured appear to be members of the American Legion. The Disaster Relief Committee of the American Legion stepped up to the challenge , distributing supplies and patrolling streets. An interesting press item, copied from a March 16 letter of the American Legion post in Long Beach to his fellow commanders, offers a glimpse at the state of things five days following the quake:

Dear Comrade Commander:

Pay no attention to radio broadcasts, either commercial or amateur, requests for food until broadcast by Colonel A. C. Wyman or Ole Olson. Clothing of all kinds needed, especially men’s shoes. Send to Compton or Long Beach American Legion. Fraternally yours, L.F. Olson, acting disaster relief chairman, The American Legion, Department of California (Coronado Eagle and Journal, March 21, 1933)

 

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American Legion relief station adjacent to the ruins of Compton City Hall, March 13, 1933. Herald Examiner Collection, Image #00047508

 

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Herald Examiner Collection, Image #00084132

Four days after the quake, with most folks still camped out in parks and on golf courses, boredom became an issue. These young women attempt to alleviate the problem with the aid of the old upright at Long Beach’s Bixby Park.

Finding Fault?

Thanks to its location within a major metropolitan area, and with access to trained emergency response and federal assistance, recovery from the Long  Beach earthquake was relatively rapid. Within two weeks most families were able to return to their homes. Lessons were learned. Many who had believed Southern California immune from big earthquakes found out otherwise. The need for construction standards and the risks of building on landfill became apparent. A month following the disaster, the state legislature passed the Field Act, mandating state-approved standards for school-building.

At this writing, fall of 2016, a new geological report suggests that the 1933 earthquake and others of the same era and location may have been caused by indiscriminate oil drilling in Huntington Beach and the resulting effects on soil and fault lines. The past never stays dead and buried.

*Early on, the United Press reported that 151 persons had died in the immediate aftermath of the quake.

 

Selected sources:

“12 Towns Take Stock of Damage Done by Quakes,” Seattle Times, March 12, 1933. Several pages of the Seattle paper are devoted to articles and pictures of the disaster, with information taken from wire services and short-wave radio stations.

“1933 Long Beach Earthquake,” California Department of Conservation website accessed November 11, 2016 (http://www.conservation.ca.gov/cgs/News/pages/longbeach.aspx).

Tim Grobaty, Long Beach Chronicles: From Pioneers to the 1933 Earthquake (Charleston: The History Press, 2012), 148-158.

Clinton B. DeSoto, “Southern California Amateurs Rise to Earthquake Emergency,” QST, May 1933. Reprinted in EverythingRF, 2016, accessed November 11, 2016 (http://www.rfcafe.com/references/qst/california-amateurs-earthquake-emergency-qst-may-1933.htm).

Ron-Gong Lin II, “Southern California’s deadliest quake may have been caused by oil drilling, study says,” Los Angeles Times online, October 31, 2016, accessed November 6, 2016 (http://www.latimes.com/local/la-me-ln-oil-drilling-earthquake-20161031-story.html).

Native American Heritage Month

November is Native American Heritage Month. The land that now constitutes California once housed the most diverse population of indigenous people in the Western hemisphere, with 150 different Native American tribes inhabiting the area. While the population of these native people decreased significantly in the 19th century due to disease (including malaria and cholera epidemics), there are still over one hundred federally recognized Native American tribes in California. The Photo Collection of the Los Angeles Public Library offers a glimpse of Native Americans celebrating holidays, remembering their heritage, and living their lives in Southern California.

Members of the Golden State Gourd Society (which originated in Maywood, California, in 1971) gather at the first annual Kateri Circle pow wow.

Golden State Gourd Society

Shades of L.A., Native American Community; photograph taken in 1990.

Astronaut Robert Crippen (center), who flew on four space shuttle missions (three as commander), is of Cherokee heritage. Here he is photographed with Native American employees of Rockwell International in Thousand Oaks, California. These employees are of Wichita, Comanche, Choctaw, Cheyenne, and Oto tribe heritage.

Native Americans in the Space Race

Shades of L.A., Native American Community, Comanche Community,
Wichita Community, Cherokee Community, Oto Community,
Cheyenne Community, Choctaw Community; photograph taken in 1981.

Margo, a Native American of Comanche and Wichita heritage, attends a pow wow at the Orange County Indian Center in Stanton, California.

orange county indian center

Shades of L.A., Native American Community, Comanche Community,
Wichita Community; photograph taken in 1980.

Two Navajo girls reenact the age-old practice of grinding corn at the South East Indian Center in Huntington Park, California. The ceremony included singers, feather dancers, and gourd music.

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Herald-Examiner Collection; photographed by Myron Dubee on May 21, 1974.

Father Paul Ojibway, a Catholic priest and member of the Fond du Luc Band of Lake Superior Chippewa of Minnesota, sought to build bridges between Native American Catholics and the wider Catholic community. He served in Native American ministries in California for over twenty years, becoming Director of American Indian Studies at Loyola Marymount University in Los Angeles and also serving as Director of Native American ministries in the Archdiocese of Los Angeles. Here he is seen serving Mass at a pow wow at St. Francis High School in La Canada.

Father Paul Ojibway

Shades of L.A., Native American Community, photograph taken in 1991.

Navajo artist Kin-ya-onny-beyeh (also known as Carl Nelson Gorman or Carl Gorman) exhibits his artwork in a gallery in Woodland Hills, California.

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Valley Times Collection; photographed by George Brich on June 20, 1963.

Youngster John Nolan from the Pima Pagago Reservation in Phoenix, Arizona, participates in a Drum and Feather War Dance held at the Burbank recreation hall while Mrs. Fred Gabourie, a Cherokee dancing champion from Burbank, watches.

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Valley Times Collection, photographed by Bob Martin on December 7, 1964.

Carl Fisher, an African American with Choctaw heritage, became an Auxiliary Bishop for the Los Angeles Archdiocese in 1987. He was the first African American Catholic bishop on the West Coast and supervised 70 parishes, 53 elementary schools, and 10 high schools in the San Pedro Pastoral Region. Here he poses with Native Americans at his first mass in the Los Angeles area.

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Shades of L.A.: Native American Community; photograph taken in 1987.

Mary Robinson, a young woman of Choctaw heritage, is photographed at 13 years of age practicing her ballet steps. Mary later moved from Salinas, California, to Los Angeles and became a professional dancer and actress.

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Shades of L.A.: Native American Community, photograph taken in 1927.

A dancer from the Tony Purley Tribal Dancers performs at the sixth annual American Indian Artistry program at the County Museum of Natural History in Exposition Park.

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Herald-Examiner Collection; photograph undated.

Navajo students at Sherman Indian High School in Riverside, California, don native dress and ride on the hood of a car displaying Navajo blankets and a Navajo rug during the school’s Indian Day parade.

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Shades of L.A.: Native American Community; photograph taken in 1970.